is my predisposition,
even in times
when I would be
to pay you more mind.
I know this
and still, to change
is a process
that vexes me.
I do not know
any other way
I know this,
but there are times
when our discussions
turn to debates
and I hate realizing
how much I hate to lose
far too late.
I know this
and after each
of these times
my head starts to spin,
wishing to learn how
to be wrong
and to really listen.
Photo by Andres Herrera on Unsplash
Kiss me under palms
on white beaches
Leave your fingerprints
on my palms
Lay your weary head
against my chest
The smell of your hair
The sun will warm us
while we rest
Rest in salt breezes
Know that I’m with you
Yawn ourselves awake
in the evening
Shiver sudden cold
Wink with both our eyes
at sun’s leaving
Photo by Brandi Alexandra on Unsplash
She came through my door full of history,
her cheeks polished silk smooth
by the soft erosion
of bitterly fallen teardrops
and her hands wrinkled
like the crumpled and torn first pages
of unfinished novels –
written, erased, crumpled, and tossed
in the wastebasket.
Her shoes etched
thousand mile indents,
marking my entryway with
traces of old alleyway shortcuts
and once familiar roads.
Each pace down my darkened hallway
recited episodes of the solemn journey
that first led her to the promise of warmth
behind my door.
In the dim light of the doorway,
the colorful stories etched into her skin
flickered in and out of focus.
I had to trace the outlines with my fingertips,
so that no detail would slip through the cracks.
She had chronicled all her stories in her skin,
so I tried to grasp every detail,
but so many times
I didn’t know where to begin.
Let your love be sunshine
pulling down eyelids already heavy with sleep
with the promise of daydreams
and the memory of counting sheep.
Let your love be a spring shower
pooling in the spaces between idle fingertips.
and dripping down sun-soaked shirts
as it overflows thirsty lips.
Let your love be lightning
lingering in the spaces between the rumbling thunder
like a promise or a premonition
at once terrifying and full of wonder.
Let your love be a downpour
falling wherever your clouds overflow,
cascading over mountains and growing flowers
in places flowers shouldn’t be able to grow.
Photo by Craig Whitehead on Unsplash
Moon as red, as autumn wine,
that on this summer night so fine,
across the sky has slowly bled
like paint, unaccustomed to lines
or to creaking necks and upturned heads
that never before or after saw a moon as red.
There is a quiet quiver in the air,
on this summer night so fair,
when the moon is bled to slivers,
and laced with clouds that do not care
how much they mute the moon’s red river.
In your shoulders that night, though you know not why, there is a quiet quiver.
At DVerse today, we were asked to write a sparrowlet poem.
Photo by Anand Rathod on Unsplash
What is it, friend, that you expect to find
when at the mountain summit you arrive?
Will mind and body begin to unwind
or is that just a lie that you’ve contrived?
Might that lightheadedness be salvation
or is it merely an absence of air?
Are the tears that you weep from elation
or are they born from an unanswered prayer?
When Moses stood tall on that fabled hill
did his eyes see the same glory as yours?
Will you both swallow that same bitter pill
when you return to humanity’s door?
To search for salvation is so often futile,
even prophets must search through inverted pupils.
Photo by Tyler Lastovich on Unsplash
Do you feel some strange desire,
when you look at a beautiful painting,
to consume it, to swallow its entrails,
to expose the finer details hidden within
that no eyes can truly see?
I want to sink my teeth into meadows,
gnaw valleys into cliff faces
brushed from water and oil,
and lap up the churning waters
of acryllic oceans and clay rivers.
I want to taste how
the air must have tasted
that spring morning, or fall evening,
or summer dusk, or winter dawning,
the painter so fully contemplated.
Greedy poet that I am,
I want to leave this world and enter another,
where I can open my mouth and ears and hands and nose and eyes
to a reality far more true than this musky museum
I’ve grown to despise.
The worst part of any book
is almost always the binding.
This is not to say
there are not beautiful books
hidden between charming covers.
Rather, the binding is a crook,
that steals by confining,
confounding every page
with a thousand stories overlooked
by those ever opposed lovers.
I yearn to read just one book
unbound from its bindings,
that can life’s chaos convey.
A book that is neither a book,
nor governed by cover-sown shutters.
At DVerse, the prompt today is to write a poem that’s loosely based on French ideals and culture OR
to write a poem using the poetic form “Rimas Dissolutas.”
Photo by Florian Klauer on Unsplash
Oh, tinsel tailor,
with your shop
full of hybrid silver
and paper snow.
Why plant trees
with steel roots
that never grow
and top them
see the sky?
Is the truth
not as beautiful
as the lie?
At DVerse this week, the prompt is to write a quadrille around the word Tinsel.
Photo by Алсу Вершинина on Unsplash
The dark chocolate echoing of dusk
against the Ferris Wheel
overlooking the fairgrounds
That bittersweet evening
Is on my lips
And the errant air
Tastes like apple-crisps
Though cotton-candy conversation parched,
as if by design
Your hands are water
And your lips wine
Photo by Stanislav Ferrao on Unsplash
At DVerse today, the prompt is to write a Quadrille poem consisting of 44 words exactly (not including the title) in response to the challenge. The word today is ‘Fair’ and it must be used in some form within your poem.